Folks on the committee. it was her view that it was important to lay out a case, to do it in a way -- in a way that was narratively dramatic and, thus, appealing to larger audience. >> and goldstein walks in and is like, where is the control room? members of congress are like, what control room? i mean, they are really starting from, like, scratch when it comes to this actual production project, if you will. can you describe the evolution of that and how they staffed it up? yeah. he was brought in at beginning of may, just one month before the committee was to begin its hearings. and this is a...