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Military bases, with their secretive natures and security clearances, often seeming to operate in the dark beyond the public

When I was at my most impressionable age, there was a fad among upper-middle-class women of my mother's age for needlepoint. My mother was decidedly not a knitting/sewing kind of person. Some of her friends were unabashedly upper class—one family...

The Musical Years: 1920–2020, exhibition view, VOX, centre de l’image contemporaine, Montréal, 2020. Photo : Michel Brunelle The Musical Years: 1920–2020, exhibition view, VOX, centre de l’image contemporaine, Montréal, 2020. Photo : Michel Brunelle Michaela Grill & Sophie Trudeau, les marges du silence / ghosts along the way, installation view, VOX, centre de l’image contemporaine, Montréal, 2020. Photo : Michel Brunelle [En anglais] VOX, centre de l’image contemporaine Curated by Marie J. Jean August 18 — October 31, 2020 At a moment when going to the movies is di...

Reconsidering sepia: Clarence White’s photography at the Davis Editorial Staff Clarence H. White, one of the pioneers of the pictorialist style in photography, is having his first retrospective in more than a generation, a traveling show now on view at the Davis Museum at Wellesley College. Drawing heavily on holdings at the Princeton University Art Museum and at the Library of Congress, Clarence H. White and His World, which originated at Princeton, surveys the period from 1895 to White’s death in 1925. His career spanned one of the most interesting periods in American photographic his...