Ray Johnson's Elusive Dream: 'I Want to Dance'
The artist Ray Johnson in 1965. In SoHo, he bedecked his friend Suzi Gablik, an artist and writer, with his “moticos,” as he called his collages, turning her…
Source: biztoc.com
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Ray Johnson's Elusive Dream: 'I Want to Dance' - The New York Times
The discovery of a group of early collages tells a new story about Johnson’s ties to dance and the dance world.
Source: nytimes.com
SheNYC Arts Announces Casting for Fort Huachua and Bloodshot
SheNYC Arts showcases new, original works by gender-marginalized writers, composers, and directors.
Source: playbill.com
Missing the Forest and the Trees: How City Politics Are Getting in the Way of Portland's Tree Canopy
New York and Chicago have towering skyscrapers. San Francisco has classic Victorian houses. Here in Portland, we have trees. From mammoth Douglas-firs to an impressive, multispecies roster of Heritage Trees all over the city, Portland is a dendrophile’s paradise—at least, that has long been the city’s narrative. Portland’s lush tree canopy isn’t distributed equally across all neighborhoods, however, and the city’s existing trees are struggling. As the effects of climate change worsen, summers in the...
Source: portlandmercury.com
Joseph Grigely: In What Way Wham? (White Noise and Other Works, 1996–2023)
In the tradition of such artists as On Kawara, Stanley Brouwn, James Lee Byars, and Ray Johnson, whose work extensively consisted of ephemera—postcards, hand-drawn maps, notes, and collages—the conceptualist Joseph Grigely presents images and texts as artifice, evidence, and commentary.
Source: brooklynrail.org