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There is a certain weariness that begins to infect sequels after a time.

Richard Pearce's "Heartland" is a big, robust, joyous movie about people who make other movie heroes look tentative. It takes place in 1910, out in the unsettled frontier landsof Wyoming, and it's about a determined young widow who packs up her daughter and moves out West to take a job as the housekeeper on a ranch. At first she is completely baffled by the rancher who has hired her ("I can't talk about anything with that man"), but in the end she marries him and digs in to fight an endless battle with the seasons, the land, and the banks.A movie newcomer named

/PRNewswire/ -- Anthony L.G., PLLC, a national corporate and securities law firm, is pleased to announce that seasoned attorney Harris E. Tulchin has joined...

There is a moment in "Trial and Error'' when a woman in love finds out her man is engaged to another, and she handles it by telling him she understands. "Look,'' she says, "it's not a federal case.'' Then she walks outside his room and starts to cry. What I liked about that scene--especially in a comedy--is that it looked for the truth and not just for the easy sitcom laugh.

It's been leading up to this all spring. When David Spade got buried in crap in "Joe Dirt," and when three supermodels got buried in crap in "Head Over Heels," and when human organs fell from a hot-air balloon in "Monkeybone" and were eaten by dogs, and when David Arquette rolled around in dog crap and a gangster had his testicles bitten off in "See Spot Run," and when a testicle was eaten in "Tomcats," well, somehow the handwriting was on the wall. There had to be a movie like "Freddy Got Fingered" coming along.