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This monograph offers an expansive portrait of the artist’s practice through sound, performance, and sculpture, and displays how his personal and familial histories are used throughout his oeuvre. Filled with essays, photographs, poems, and more, the book amply displays Beasley’s varied artistic output from 2011 to 2020.
The sale includes major 20th- and 21st-century artists, including Yves Klein, Pablo Picasso, Vivian Springford, and so much more.
The position Shear has been defining in his work is one that accepts, contemplates, and reimagines the possibilities of abstract painting.
To his own surprise, Matt Mullican’s new body of work is vibrantly colorful. A departure and liberation of sorts, it is also his most labor-intensive work yet. Made in his Berlin studio, “August 9, 1908” consists of very large paintings involving rubbing, a technique he’s been using since the early ’80s. A first rubbing transfers the image to be painted; a second rubbing draws outlines around the painted areas with an oil stick. Below, the artist describes his painstaking process, how the project came about, and how it fits into his work as a whole. “August 9, 1908” remains on vi...
Every now and then we think of the word “abstraction” as being associated with other related words, including “non-objective,” “non-figurative,” and even at times “pure painting.” Yet, every now and then we’re reminded of what John Constable once stated, “My limited and abstracted art is to be found under every hedge, and in every lane.”