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This month: Audrey Flack, Sonya Clark, Raven Chacon, Mike Olin, and more.

In paint, recognition always butts up against necessity, creating the temptation to name something where there is just some thing. I remember standing in front of a Thomas Nozkowski painting six years ago, staring into its central green mass, which was like moss floating in the canvas’s fleshy pink.

University of Kentucky Art Museum is proud to announce the first examination of the various collaborations that poet and critic John Yau has created with a range of visual artists during the past five decades. “Disguise the Limit: John Yau’s Collaborations,” running Jan. 9 to June 1, 2024, includes paintings, mixed media works on paper, print portfolios, artist books and ephemera. A reception celebrating this new exhibition and others will be 6:30 p.m. Wednesday, Jan. 10.

In her latest exhibition, what struck me immediately about Guérin’s work was that it neither looked like anyone else’s nor immediately disclosed its meaning. 

What is most satisfying about McNamee-Tweed’s work is that he has not lost his sense of wonderment.