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The artist Françoise Gilot (1921–2023) repeatedly advised against retrospective thinking, particularly if that exercise results in pangs of regret. Such proclamations should typically be met with skepticism: it is difficult to imagine an eye that never turns, a mind that never roams.
If Alan Saret (b. 1944) were a geological formation, then this show—filling all three of Karma’s venues—would be a voyage to a bedrock composed of several strata. We move from 1975, when Saret was thirty-one, to 2024, and receive a comprehensive sample of his artistic production, excluding his signature wire sculptures.
San Francisco-based philanthropist Maria Manetti Shrem is pledging more than $20 million for the arts at UC Davis.
Let's hit the turbo-thrusters and blast off into the arts beat this week
The Dallas Museum of Art explores the art movement’s revolutionary history.