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157 raw clay sculptures by fischli/weiss land at fondazione prada - Vimarsana News

157 raw clay sculptures by fischli/weiss land at fondazione prada

Suddenly This Overview (1981-2012) at fondazione prada   Works of the late artist duo Fischli/Weiss land at Fondazione Prada as a public exhibition

Andriu Delplazes at Collezione Maramotti is between a rock and a hard place - Vimarsana News

Andriu Delplazes at Collezione Maramotti is between a rock and a hard place

A new solo show, Burning Green, by the young Marseille-based Swiss artist Andriu Delplazes currently on show at Collezione Maramotti.

New Spots to Check in Milan – WWD - Vimarsana News

New Spots to Check in Milan – WWD

New Spots to check in Milan, restaurants, shops, hotel and exhibitions during Design Week

Source: wwd.com
A New Show at the Prada Foundation in Milan Examines the Use and Reuse of Classical Greek and Roman Works Over the Centuries - Vimarsana News

A New Show at the Prada Foundation in Milan Examines the Use and Reuse of Classical Greek and Roman Works Over the Centuries

In "Recycled Beauty," the Prada Foundation follows Classical artifacts through their many uses over time.

Source: artnet.com
David Joselit on Documenta 15 and the 59th Venice Biennale - Artforum International - Vimarsana News

David Joselit on Documenta 15 and the 59th Venice Biennale - Artforum International

THROUGHOUT THE TWENTIETH CENTURY, modern and contemporary art in the West sought either to cheat history or to travesty it. To cheat history is to outrun it in gestures aimed at utopian schemes (as envisioned by Suprematism or the artists of De Stijl) or dystopian destruction (as in Futurism or some variants of Dada). Among modernist avant-gardes, history offered a necessary dialectical framework for its own supersession—this is why the rhetoric of revolution remains so appealing and ubiquitous in accounts of modern art. Paradoxically, this legacy has been codified or canonized (and certainl...