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Last train to memphis and careless love. Theyre here discussing wills new book colorization 100 years of black films in a white world. Publishers weekly calls it an engrossing account of a vital but often slated cinematic tradition full of fascinating lore and Dwight Garner writes for the New York Times. This is sweeping history, but in hagoods hands, it feels crisp urgent and paired down like a good movie. It pops from the start. Were so pleased to be hosting this event tonight. The digital podium is yours will and peter. Thank you. Thank you. Well, its great to be here with you. I wish we we...

Last train to memphis and careless love. Theyre here discussing wills new book colorization 100 years of black films in a white world. Publishers weekly calls it an engrossing account of a vital but often slated cinematic tradition full of fascinating lore and Dwight Garner writes for the New York Times. This is sweeping history, but in hagoods hands, it feels crisp urgent and paired down like a good movie. It pops from the start. Were so pleased to be hosting this event tonight. The digital podium is yours will and peter. Thank you. Thank you. Well, its great to be here with you. I wish we we...

Class and that is something of a rarity in the performing arts. Why . Eddie marsan, welcome to hardtalk. Thank you. Nice to be here. You do seem to be that rare breed as an actor, a guy who is constantly, permanently busy. How do you manage it . I just. I think when i first started in drama school, i was always the guy who played the old man in the chekhov piece. If there was a young, attractive young man played the guy who shot himself at the end, i was always the old guy with gout. They used to call me captain velcro in drama school because i played all the small parts. So, i realised very e...

If there was a young, attractive young man played the guy who shot himself at the end, i was always the old guy with gout. They used to call me captain velcro in drama school because i played all the small parts. So, i realised very early on that nobody would want me to be me because, in reality, i dont think men want to be me and women want to sleep with me so, i always had to be someone else. Oh, my goodness. Youve started with such a sort of powerful and profound sort of statement of who you are and the Acting Profession. Is that something that youve found. Youve had to come to terms with, ...

I was always the guy who played the old man in the chekhov piece. If there was a young, attractive young man played the guy who shot himself at the end, i was always the old guy with gout. They used to call me captain velcro in drama school because i played all the small parts. So, i realised very early on that nobody would want me to be me because, in reality, i dont think men want to be me and women want to sleep with me so, i always had to be someone else. Oh, my goodness. Youve started with such a sort of powerful and profound sort of statement of who you are and the Acting Profession. Is ...