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If the pandemic gave us one thing, it might be a reminder to deeply appreciate every in-person gathering. This struck me while watching Jean Butler’s What We Hold, which unites a varied cast of all ages, skilled in a range of dance genres (but all in Irish step on some level).
The Brooklyn Rail is a journal committed to providing an independent forum for visual arts, culture, and politics throughout New York City and beyond.
I’m in An Bình, an island across the Mekong River from Vĩnh Long, a mid-sized city in Vĩnh Long province, Vietnam. I am out of place, out of routine, seeing things vividly. So, this is perhaps a good place to reflect on pleasure in writing, the pleasure of its activity through me. Or how it feels to be an instrument of that activity.
The whole universe moves around us who would want to be right in that situation it is better to keep looking about the more recent kinds not to mention that you can't let books know the world outside
Carmen Herrera: Paintings on Paper features fifteen acrylic-on-paper compositions from 2018–2022, all untitled, and most never-before shown. Making their public debut are some of the last works she produced.