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The documentary shows a bunch of the famous names who stopped by to see Oscar the Grouch, Grover and the rest of Henson’s Muppets crew, from James Earl Jones and Stevie Wonder to Johnny Cash and Paul Simon. With behind-the-scenes footage, “Street Gang” lets audiences take a peek at the puppeteering comedy team of Henson and Frank Oz, but also digs into how it explained the death of Mr. Hooper to kids after actor Will Lee had a fatal heart attack in 1982 and even deals with the work-a-holic-sensibilities and mental-health struggles of the “Street” creators. “This is a vast, vast st...

"We're all of us passing for something or other. Aren't we?" This question – something Irene (Tessa Thompson) asks on the side of a dance floor – will haunt you during and well after Rebecca Hall's directorial debut, "Passing," which premiered Saturday night at Sundance Film Festival. The black-and-white film (more on that choice later) stars the aforementioned Thompson and Ruth Negga as Clare, two childhood friends who run into each other as adults in 1920s New York. The pair quickly realize they've come to live very different lives. While both are Black women, Clare has opted to "pas...

Four stars Starring: Clare Dunne, Harriet Walter, Ian Lloyd Anderson, Ruby Rose O’Hara, Molly McCann, Conleth Hill, Daniel Ryan, Erika Roe, Dmitry Vinokurov, Mabel Chah and Aaron Lockhart Rating: R, for profanity and vicious domestic violence Available via: Amazon Prime By Derrick Bang Enterprise film critic There’s a strong sense, throughout this superbly mounted little Irish drama, that star/co-scripter Clare Dunne writes from personal awareness. I dearly hope that isn’t the case. She stars as Sandra, a single mother with two young daughters, who has just escaped her possessive and a...

The new film Herself is a bold drama that deals with domestic violence and how victims find the strength to move on. It’s a subject that’s been dealt with in fiction, but rarely in the honest and compassionate manner that we see in Phyllida Lloyd’s new film . When done on television, it’s almost always supporting characters or guest stars—and in film, if the victim is the protagonist, it’s kept almost entirely to revenge thrillers, from Enough to last year’s The Invisible Man, which put jump scares and campy moments of violent retribution ahead of serious insights and charact...

The Associated Press This image released by Amazon Studios shows Clare Dunne, from left, Molly McCann and Conleth Hill in a scene from "Herself." (Pat Redmond/Amazon Studios via AP) Phyllida Lloyd’s “Herself,” an Irish drama of spousal abuse set against Dublin’s housing crisis, has some narrative weak spots but its foundation of resilience and heart is strong. Previous forays into film by Lloyd, a veteran theater director, have been more elaborate, starrier affairs (“Mamma Mia!” “The Iron Lady”). But “Herself” is a smaller, neo-realistic and often stirring story about San...