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The business of crime is as much business as crime, as Martin Scorsese demonstrated in Casino by centering his story on a gangster who was essentially an accountant and oddsmaker. Now Bill Duke s Hoodlum looks into the way the Mafia muscled into the black-run numbers racket in Harlem in the 1930s; this is a gangster movie in a sense, but it is also about free enterprise, and about how, as the hero says when asked why he didn t go into medicine or law, I m a colored man and white folks left me crime. Of course that is not quite the whole story, but by the time Bumpy Johnson (Laurence Fishburne) says it, it s true of him: He s a smart ex-con, returned to the streets of Harlem during its pre-war renaissance, when music, arts and commerce flourished along with the numbers game. He hooks up with old friends, including Illinois Gordon (Chi McBride), who masks his feelings with jokes and introduces him to a social worker Francine Hughes (Vanessa L. Williams). ....

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