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the commemorative aspect of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated african—american, black american singer—actress. this is the last... yeah. this is the last big monument. this is the last series of, you know, of steles that arrived absolutely un. .. you know, i had no idea i was going to do a josephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are notjust
sculpture ofjosephine baker, the celebrated african—american, black american singer—actress. this is the last... yeah. this is the last big monument. this is the last series of, you know, of steles that arrived absolutely un. .. you know, i had no idea i was going to do ajosephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are notjust sculptures in space. they are also personas.
of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated african—american, black american singer—actress. this is the last... yeah. this is the last big monument. this is the last series of, you know, of steles that arrived absolutely un. .. you know, i had no idea i was going to do ajosephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are notjust sculptures in space. they are also personas.
abstract, um... poetic... ..literary. .. ..artist. and there is this combination that are so entwined now, although i tried to keep them separate most of my career, but now they have simply resurged in their own way, and so i'm...|'m stuck with it. one of the features of the way you work is that you also like to commemorate. the commemorative aspect of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated
the commemorative aspect of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated african—american, black american singer—actress. this is the last... yeah. this is the last big monument. this is the last series of, you know, of steles that arrived absolutely un. .. you know, i had no idea i was going to do ajosephine until i did it. so how important is that commemorative aspect of your work to you? why is it so significant? i think that is not only commemorative, but it's also the poetic... ..the poetic aspect of my work. and it's there as a persona. these sculptures are notjust sculptures in space. they are also personas.
what can i say? poetic... ..literary. .. ..artist. and there is this combination of literature and visual art that are so entwined now, although i tried to keep them separate most of my career, but now they have simply resurged in their own way, and so i'm...|'m stuck with it. one of the features of the way you work is that you also like to commemorate. the commemorative aspect of your work is very important. so, for example, this sculpture ofjosephine baker, the celebrated african—american, black