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Capitol. ♪ it's her, and her and me and you and pink. ♪ beautiful from head to toe. ♪ i'm glad to go, you know, you know, in pink. rachel: will that win him the gen z approval, we'll have to see. he followed up a few hours later, saying he was headed out to the movie, pr presumably to e barbie. i don't know, is he the ultimate ken? >> will: you text me yesterday about the barbie thing. i don't get the cultural zeitgist, everyone talking about it. i don't get it at all. why is this a thing? rachel: you didn't play with barbies, have you no daughters. that's part of it. i watched the movie...

And who can blame him? when filming in other locations, croatia, malta, morocco, could see him lose half a stone a day. so is this your costume here, ian? this is identical to my costume. this was actually nikolaj coster—waldau's costume but it's identical in every way. all 28 kilos worth. which was some fun in the dubrovnik sun, because the sun would hit the breast plate, you would have been sweating earlier on and then you would start to cook. so it was quite interesting to wear. but i have to say one thing. when you put that costume on, wow! you were a kings guard. yeah. the studio tour i...

Malta, could see him lose half a stone a day. malta, could see him lose half a stone a day-— a stone a day. this is identical— a stone a day. this is identical to _ a stone a day. this is identical to my - a stone a day. this is - identical to my costume. this was another man's costume, but it's identical in every way, all 28 kilos worth. which was some fun in the dubrovnik sun because the sun would hit the breastplate and then you would start to cook. so it was quite interesting to wear, but i have to say one thing: when you put that costume on, well. you are a king �*s guard. that cost...

But i have to say one thing. when you put that costume on, wow. you were a kings guard. yeah. the studio tour is built around where some of the show�*s filming took place. much of its success was derived from the huge scale of the production, but also the attention to detail. here, you can see, close up, the costumes, the weapons. the set designs, the make—up and prosthetics. husband and wife team sarah and barry gower are responsible for turning fantasy tv into what looks like reality tv. they make monsters. the show runners, david and dan, wanted us to design a character which was quite ...

Was derived from the huge scale of the production, but also the attention to detail. here, you can see, close up, the costumes, the weapons. the set designs, the make—up and prosthetics. husband and wife team sarah and barry gower are responsible for turning fantasy tv into what looks like reality tv. making monsters. the show runners, david and dan, wanted us to design a character which was quite regal. and almost had the form of a crown, in its design, basically. so we're thinking, along the lines of snow, ice and icicles, so we actually incorporated these kind of pointy icicle—like shap...