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And who can blame him? when filming in other locations, croatia, malta, morocco, could see him lose half a stone a day. so is this your costume here, ian? this is identical to my costume. this was actually nikolaj coster—waldau's costume but it's identical in every way. all 28 kilos worth. which was some fun in the dubrovnik sun, because the sun would hit the breast plate, you would have been sweating earlier on and then you would start to cook. so it was quite interesting to wear. but i have to say one thing. when you put that costume on, wow! you were a kings guard. yeah. the studio tour i...

Yeah, home fixture! thankfully they auditioned me again and i got, i won the role of ser meryn trant, which lasted for five years. and the role i originally auditioned for lasted for five episodes in season one. so i think i got the best part. and who can blame him? when filming in other locations, croatia, malta, morocco, could see him lose half a stone a day. so is this your costume here, ian? this is identical to my costume. this was actually nikolaj coster—waldau's costume but it is identical in every way. all 28 kilos worth. which was so fun in the dubrovnik sun, because the sun would h...

Malta, could see him lose half a stone a day. malta, could see him lose half a stone a day-— a stone a day. this is identical— a stone a day. this is identical to _ a stone a day. this is identical to my - a stone a day. this is - identical to my costume. this was another man's costume, but it's identical in every way, all 28 kilos worth. which was some fun in the dubrovnik sun because the sun would hit the breastplate and then you would start to cook. so it was quite interesting to wear, but i have to say one thing: when you put that costume on, well. you are a king �*s guard. that cost...

But i have to say one thing. when you put that costume on, wow. you were a kings guard. yeah. the studio tour is built around where some of the show�*s filming took place. much of its success was derived from the huge scale of the production, but also the attention to detail. here, you can see, close up, the costumes, the weapons. the set designs, the make—up and prosthetics. husband and wife team sarah and barry gower are responsible for turning fantasy tv into what looks like reality tv. they make monsters. the show runners, david and dan, wanted us to design a character which was quite ...