Full of shifting aspect ratios, changing color palettes, abundant slow-motion, and all sorts of over-stylized hokum, Cherry is so showy that it borders on laughable. Scratch that – it goes beyond those laughable borders, into the land of the full-blown ridiculous. In their first post-Marvel Cinematic Universe effort, the Russo Brothers want us to know they’re very serious filmmakers. Otherwise, they wouldn’t have picked such a serious topic – a tale of disaffected youth, war, violence, bank robbery, drug addiction, and more. But nothing here feels as gritty as it should. There’...