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Hannah Bentley reviews Daisy Norton’s and James Fellas-Laurie’s adaptation of MOJO by Jez Butterworth - a fun and lively production of a dark-humoured play that explores the toxic power dynamics and gangster culture of the Atlantic Club in 1950s London, with unpredictable plot twists. ....
"The pace of the play was unceasing, without a single line slip, and while this sometimes meant the emphasis of certain words were lost, it created a pulsing energy." Ben Willows reviews Pitch Production's MOJO. ....
With the Pinter-penned 1963 classic The Servant back in cinemas, there’s a chance to reflect on the playwright’s less-acknowledged acting performances ....