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Empty newspaper, giant pink lips, barbed wire – the 20th-century South Korean experimental art seen at an exhibition in New York tells us something about the artists and the time they grew up in.
Korean avant-garde artist Lee Kun-yong stood in front of the audience at the National Museum of Modern and Contemporary Art, Korea in Seoul, performing “In Snail’s Gallop,” just as he did when it premiered in 1979. But the reception to the performances couldn't be more different. “My performance is about interacting with audiences. I feel like the audience’s attitude on art has chan...