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Semiconductors are the tiny microchips that act as the brains for everything from smartphones to cars.

Hand—held device that you can just shift in no time. mm. would that interest you? no, it absolutely does, i mean, i've shot sections of films on a phone anyway. have you? but, i mean, now, you look at alexander nanau, who did, er, "collective", shooting with a tiny little camera, was doing most of it himself, he could be in the room with, you know, the subjects, the journalist, and the minister, and he could just almost be invisible and allow things to play out and take his time in shooting that. you could never do that with a film camera, so that that sort of technology has opened up all so...

Something, it's missing something. i think the actors... what are you missing? well, i think the actors are missing something to... ..relate to, in a way. i think you're missing the environment everybody�*s working in that feels like part of the story. i don't know. i can't explain myself very well but there's something about being on location and being in a real environment. it's like on 1917. sam was determined to do as much in camera as possible. sure, there's some effects work. yeah. i mean, if you've got that technology, why not use it? there are respected film—makers who now work wit...

Now on bbc news, it's hardtalk with stephen sacker. welcome to hardtalk. i'm stephen sackur. this is soho in london, where the uk film industry does its deal—making and much of its post—production. the brits are still big players in the global film industry, and none more so than my guest today, sir roger deakins. he's made a host of brilliant movies, he's won two oscars, but his industry is changing, thanks to technology, to cgi, even to this thing — the smartphone and its camera. so how does he see the future of the film business?

Had changed, in some very specific scenes, there's a lot of manipulation, like the, um, the, er, the threesome, with the two girls and ryan, you know, and they're interchanging and becoming one and splitting. well, how are you going to do that? that's, obviously, you use the technology that's available to tell a story, in hopefully an interesting and, you know, perceptive way. but, um... so you're not, you're not anti—technology, clearly. no, not at all. yeah. i mean, no, because i have to say, withjoel and ethan, i was the first one that used a digital finish on a film, on "0 brother, where...