"His House" It was a scary year. From corporate multiplexes to mom-and-pop operations, theaters shuttered for good or reopened to lackluster pandemic box office reports. More eyes turned toward platforms like Netflix, Shudder, and other providers scrambling for hot-ticket exclusives. But with titles like “Candyman,” “Halloween Kills,” and even A24 notables like “Saint Maud” vacating their 2020 slots, international fare always destined for video-on-demand premieres no longer faced the same mainstream competition. Tales of terror produced outside American borders became more commonl...