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What to watch this weekend: Escape 'Jurassic World Dominion,' flee to 'Fire Island' - Vimarsana News

What to watch this weekend: Escape 'Jurassic World Dominion,' flee to 'Fire Island'

The "Jurassic" franchise comes to an end, "SNL" star Bowen Yang feels his Jane Austen fantasy, Viggo Mortensen spontaneously grows organs and Tom Cruise is still zipping around in his fancy jet: Here’s our take on what’s new, free, fun or all of the above in the world of movies.

'Crimes of the Future' review: For body horror maestro David Cronenberg, 'surgery is the new sex' - Vimarsana News

'Crimes of the Future' review: For body horror maestro David Cronenberg, 'surgery is the new sex'

“Crimes of the Future,” David Cronenberg’s latest piece of body horror, arrives in U.S. theaters straight out of Cannes, where it was subject to a bit of pearl-clutching over its graphic surgery scenes. So it comes as a bit of a surprise that “Crimes of the Future” turns out to be one of Cronenberg’s more cerebral —and funny! — films. Film critic Katie Rife reviews.

Source: my9nj.com
What to watch this weekend: Escape 'Jurassic World Dominion,' flee to 'Fire Island' - Vimarsana News

What to watch this weekend: Escape 'Jurassic World Dominion,' flee to 'Fire Island'

The "Jurassic" franchise comes to an end, "SNL" star Bowen Yang feels his Jane Austen fantasy, Viggo Mortensen spontaneously grows organs and Tom Cruise is still zipping around in his fancy jet: Here’s our take on what’s new, free, fun or all of the above in the world of movies.

Source: fox29.com
'Crimes of the Future' review: For body horror maestro David Cronenberg, 'surgery is the new sex' - Vimarsana News

'Crimes of the Future' review: For body horror maestro David Cronenberg, 'surgery is the new sex'

“Crimes of the Future,” David Cronenberg’s latest piece of body horror, arrives in U.S. theaters straight out of Cannes, where it was subject to a bit of pearl-clutching over its graphic surgery scenes. So it comes as a bit of a surprise that “Crimes of the Future” turns out to be one of Cronenberg’s more cerebral —and funny! — films. Film critic Katie Rife reviews.