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Exhibition at Somerset House explores 50 years of creative rebellion - Vimarsana News

Exhibition at Somerset House explores 50 years of creative rebellion

a href= https://www.somersethouse.org.uk target= _blank Somerset House /a presents The Horror Show!: A Twisted Tale of Modern Britain, a major exh

The Quietus | Features | Craft/Work | Afraid Of The Dark: Horror At Somerset House - Vimarsana News

The Quietus | Features | Craft/Work | Afraid Of The Dark: Horror At Somerset House

A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures

Exhibition explores how ideas rooted in horror have informed the last 50 years of creative rebellion - Vimarsana News

Exhibition explores how ideas rooted in horror have informed the last 50 years of creative rebellion

On October 27th a href= http://www.somersethouse.org.uk target= _blank Somerset House /a began the presentation of The Horror Show!: A Twisted Tal

Contemporary Art from Saudi Arabia: The Kaaba as a Security Zone - Vimarsana News

Contemporary Art from Saudi Arabia: The Kaaba as a Security Zone

A new generation of young Saudi artists is emerging, showing that momentum for change is possible even in a conservative country such as this. When it comes to exhibiting their work however, they have only been able to do that abroad. Werner Bloch reports

Berberian Sound Studio - Peter Strickland's Postmodern Pastiche - Vimarsana News

Berberian Sound Studio - Peter Strickland's Postmodern Pastiche

Berberian Sound Studio – Peter Strickland’s Postmodern Pastiche Ioana Stamatescu   |   December 2020 Peter Strickland intended Berberian Sound Studio (2012) as a film tribute to the way analogue sound was created in the 1970s giallo movies while eschewing a too retro or faithful rendition of the original [1]. Starting from Strickland’s stated intention, I will explore the ways in which the film qualifies as an affectionate pastiche. I will also take a look at the critique of the genre, triggered by the distance from the original that the pastiche takes. Strickland’s film, recent...