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In a Netflix movie produced by Barack and Michelle Obama, conservatives are fixating on a character’s distrust of white people.

Paul Lafargue's anti-work manifesto is newly relevant in a time when the very idea of labor is changing.

William H. Pritchard reviews “Four Dubliners: Wilde, Yeats, Joyce, and Beckett” by Richard Ellmann.

Gray Wielebinski plays with science fiction references in his first institutional solo show, ‘The Red Sun is High, the Blue Low’ at the ICA, London

In the preface to a recent volume of academic essays titled Gramsci In The World, Marxist and formalist literary critic Frederic Jameson argues that, today more than ever, much of Gramsci’s value lies in the ambiguities that his Prison Notebooks, the thirty-three notebooks the Sardinia born communist wrote in prison between 1928 and 1934 under strict surveillance and limited critical sources available to him, necessarily resulted from the unfree physical conditions of the writing.