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The author of Unraveled on why she doesn't subscribe to the term "sustainable fashion."

The 25-year-old LVMH Prize finalist on fashion industry waste, aughts nostalgia, and why he's always drawn to "weird" style.

In the post-pandemic rush, we're giving up the fashion freedoms many of us found in lockdown.

Style Points is a weekly column about how fashion intersects with the wider world. Roy Halston Frowick didn’t take well to being alone. When he left his childhood home in Indiana, far from the mythical coasts, he dropped two of his names like last season's castoffs, adopted a chic mononym, and headed straight for more densely populated pastures: first Chicago, then New York City. It was in Manhattan that he reinvented himself as a fashion phenom and Studio 54 fixture, surrounded by a rotating Lazy Susan of beautiful people, speaking in a clipped, affected accent that became his signature. H...

Style Points is a weekly column about how fashion intersects with the wider world. Rachel Walsh recently traveled thirty years back in time. After costuming (alongside Adam Howe) the BBC series-turned-Netflix-hit The Serpent—based on the real-life hunt for a serial killer in Southeast Asia in the '70s—she's now speaking to me from the set of a project that takes place in the '40s. But the Me Decade is still fresh in her mind—and in those of viewers, who have been particularly drawn to star Jenna Coleman's bohemian-meets-jet-set aesthetic. The series, says Walsh, "had a unique combinati...