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Songwriters Cameron Smith, Ryan Taylor and Ghost Cloak performed a song-swap last week on the AllGood Cafe stage, trading stories and original music.

The Sunday afternoon storm clouds spread across the sky like shreds of steel wool, rusted and bursting with their own rain and the setting sun. All the patio furniture in the gravel area in front of the Woodshed’s stage was wet, yet a pair of millennial couples had dried off some chairs at the edge of this zone, and

It should be easy to bristle at the mildewed cliche that “rock ’n’ roll is a young man’s game.” Sure — ignoring for a moment the archaic gender-exclusivity inherent in the phrase — it’s true that youth might be a salve against the grind of late nights and cramped vans, the stomach-churning sustenance of greasy gas

The past decade Cameron Smith has been playing across the US—especially in his native regions of North/Central Texas—both in his own bands (War Party and

It goes without saying that, so far, the “roaring” in this century’s version of the Roaring ’20s seems to be in reference to the sound of the raging fire in our collective dumpster. It’s been another energy-vaporizing year of social estrangement, widening political divides, and comfortable, middle-class living