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Hounds begin to howl we ve got to get the chicago kids rhythm and blues. that s where it started. you know, the white people over there know nothing about rhythm and blues at all. it s negro music, isn t it? in america, even in the black community, had abandoned certain aspects of black culture. even by the mid- 60s. the blues in particular had been sort of pushed aside by soul music and r&b, which was considered more modern. pretty little women stand in a line the stones, the animals, the yardbirds, the british groups picked up the american blues, where the americans were kind of letting it go. and in a strange way, we were taking back to america what america had given us, which was american music. gonna have a lot of fun, oh, yeah, baby, whoo ....
one, two, three, four! well, she was just seventeen, you know what i mean and the way she looked the beatles showed up with their great sense of humor, their completely infectious pop songs, their whoo, you know, their everything. it was just impossible not to fall in love with them. as soon as they started playing on the ed sullivan show, we all knew, they re playing live, because that doesn t sound like the record. [ cheers and applause ] the idea of driving, swinging r&b mixed with imaginative wordplay and lyrics and harmonies and the perfect three-minute record, they defined it. whoo, when i saw her standing ....
well, she was just seventeen, you know what i mean and the way she looked the beatles showed up with their great sense of humor, their completely infectious pop songs, their whoo, you know, their everything. it was just impossible not to fall in love with them. as soon as they started playing on the ed sullivan show, we all knew, they re playing live, because that doesn t sound like the record. [ cheers and applause ] the idea of driving, swinging r&b mixed with imaginative wordplay and lyrics and harmonies and the perfect three-minute record, they defined it. whoo, when i saw her standing there the beatles took this dream of what america represented, the freedom that was in american ....
the dogs begin to bark, the hounds begin to howl the chicago kids rhythm and blues, that s where it started. you know, the white people over there know nothing about rhythm and blues at all. it s negro music, isn t it? in america, even in the black community, had abandoned certain aspects of black culture. even by the mid- 60s. the blues in particular had been sort of pushed aside by soul music and r&b, which was considered more modern. pretty little women stand in a line the stones, the animals, the yardbirds, the british groups picked up the american blues, where the americans were kind of letting it go. and in a strange way, we were taking back to america what america had given us, which was american music. ....
the dogs begin to bark, the hounds begin to howl the chicago kids rhythm and blues, that s where it started. you know, the white people over there know nothing about rhythm and blues at all. it s negro music, isn t it? in america, even in the black community, had abandoned certain aspects of black culture. even by the mid- 60s. the blues in particular had been sort of pushed aside by soul music and r&b, which was considered more modern. pretty little women stand in a line the stones, the animals, the yardbirds, the british groups picked up the american blues, where the americans were kind of letting it go. and in a strange way, we were taking back to america what america had given us, which was american music. ....