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'The Long Song' Book vs. Screen: How Close Was The Adaptation?


The Long Song Book vs. Screen: How Close Was The Adaptation?
. Don t read it unless you ve finished the show.
The Long Song condenses approximately 75 years into three short hours. Although the bulk of the story focuses on July (Tamara Lawrance) in adolescence and young adulthood, the viewer also sees flashes of her as a child and as a grandmother. What are the changes screenwriters Sarah Williams and Andrea Levy made to bring Levy’s novel to the small screen?
Miniseries adaptations always have to consider screen time vs. detail in addition to formatting differences. July’s first-person narration was very easy to convert into voiceovers. The script for the series makes July’s dialect easier to understand as the text demands a phonetic spelling of the Jamaican patois dialect. The show scripts removed many instances where the n-word was printed and replaced them with negro. PBS also censored other curse words throughout the miniseries. ....

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'The Long Song' Gives July A Voice And A Pen


The Long Song Gives July A Voice And A Pen
brought us four new shows in January, including the powerful mini-series The Long Song
. Set during the final days of slavery in 19th-century Jamaica, the series tells the story of the hardships and survival of plantation slave, July. Each week, we re bringing you a new installment of a series of character studies on July from guest contributor Amanda-Rae Prescott. These articles will cover the events of episode one, so if you haven t watched it yet, catch up on GBH Passport.
The Long Song is a first-person narrative in the original novel by Andrea Levy, and this is brought out in the miniseries through the flashes of Old July (Doña Croll) interrupting her story of life during slavery as if she is writing with tears or spilling ink. The audience is watching her grow up and navigate life. At times, she is an unreliable narrator because as a younger woman (Tamara Lawrance) she is unable to see the natural consequences of he ....

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