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The exiled Chilean documentary-maker has been capturing successive waves of revolution and rebellion in his home country for over four decades, writes Juliet Jacques – and contributing to them through art.
Films like Patricio Guzmán’s 'The First Year' play a crucial role in how nations negotiate and re-negotiate their self-image, and its reemergence is yet another step forward for post-Pinochet Chile.
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MARTIN HALL reflects on the enduring significance of Soviet film and the dialectical method of montage
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The author of Screening Ulster: Cinema and the Unionists argues that Hollywood’s perceived imbalance does no one any good