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'Chevalier': A Black French composer's story returns from oblivion in new film – People's World - Vimarsana News

'Chevalier': A Black French composer's story returns from oblivion in new film – People's World

In director Stephen Williams’s big-budget new film Chevalier, now playing in theaters nationwide, Joseph Bologne (Kelvin Harrison), the illegitimate son of an African slave and a French plantation owner on the lucrative French Caribbean island of Guadeloupe, rises to improbable heights in Parisian...

'Music chooses us': Director Wes Kenney to retire this semester – The Rocky Mountain Collegian - Vimarsana News

'Music chooses us': Director Wes Kenney to retire this semester – The Rocky Mountain Collegian

After over 20 years as a resident instructor at Colorado State University, Wes Kenney, the director of orchestras at the University Center for the Arts, looks to retire from his role as a full-time professor this semester. Kenney prepares for his final symphony as the director of orchestras, “A Monumental Close,” featuring composer Gustav Mahler’s...

Gorecki's Symphony of Sorrowful Songs at ENO review: a bold end to the troubled company's season - Vimarsana News

Gorecki's Symphony of Sorrowful Songs at ENO review: a bold end to the troubled company's season

Both sombre and hopeful, Henryk Górecki’s Third Symphony echoed the mood at the embattled ENO

Symphony of Sorrowful Songs review — a hauntingly beautiful staging - Vimarsana News

Symphony of Sorrowful Songs review — a hauntingly beautiful staging

★★★★★When Henryk Gorecki’s Third Symphony was a huge commercial success back in the early 1990s — the biggest-selling recording of 20th-century classical music

Symphony of Sorrowful Songs review – Gorecki's triptych retains its visceral power in thoughtful staging | Classical music - Vimarsana News

Symphony of Sorrowful Songs review – Gorecki's triptych retains its visceral power in thoughtful staging | Classical music

Isabella Bywater’s production for ENO of Henryk Górecki’s popular Third Symphony is effective and affecting, with conductor Lidiya Yankovskaya’s reading refreshingly unsentimental