Juxtapoz Magazine - Tom Sachs Makes Spaceships
Acquavella Galleries is pleased to present its third exhibition with New York-based artist Tom Sachs. Titled Spaceships, this group of new and recent...
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Acquavella Galleries is pleased to present its third exhibition with New York-based artist Tom Sachs. Titled Spaceships, this group of new and recent...
We invite you to a conversation between Bridget Alsdorf, Professor in the Department of Art & Archaeology, Princeton University, and Thomas Crow, Rosalie Solow Professor of Modern Art at The Institute of Fine Arts, New York University, about their recent books: Gawkers: Art and Audience in Late Nineteenth-Century France (Alsdorf, 2022); The Hidden Mod in Modern Art: London, 1957-1969 (Crow, 2020); and Restoration: The Fall of Napoleon in the Course of European Art, 1812-1820 (Crow, 2018). Please click Event Details to register your RSVP.
Doctors are expecting the national bulk billing rate to drop as low as 30 per cent over the next two years unless action is taken - as thousands of Australians struggle to find an affordable General Practitioner.
THE WHITE-SUITED BLACK SUBJECTS are rendered with varying degrees of realism: There is the chalky brown man at left, who possesses all the charm of a department store mannequin; the androgynous youth at right, with unfurled scarf and ghostly tinted glasses; and, of course, the woman at the center of the work, whose adjacent nude double seems to both teasingly recede into and forcefully protrude beyond the group. Barkley L. Hendricks executed this large-scale canvas, What’s Going On, in 1974, and it is perhaps the most striking of what the artist calls his “limited palette” works, with it...
In Arts magazine from 1976 to 1990 critic, art historian, and onetime Artforum contributing editor Robert Pincus-Witten's vivid and frequently contentious missives recorded his comings and goings in the overheated art world of the ’80s. Beginning in this issue Artforum reprises the name and spirit of Pincus-Witten’s column with “Entries,” contributing editor David Rimanelli's new monthly diary chronicling his own adventures in the world of art today.MARCH 14JULIAN SCHNABEL opens at Gagosian. A jolly, gaudy, back-to-the-’80s affair. Pretty people, ornate people, ridiculously...