The world of Colleen Hoover does not warrant celebration
Depiction of such problematic forms of ‘romance’ and relationships surely distort the judgement of readers regarding love and romance.
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Depiction of such problematic forms of ‘romance’ and relationships surely distort the judgement of readers regarding love and romance.
Why aren’t happy experiences the ones we want to analyze as literary critics? Why do we so often gravitate toward sad or traumatic stories in English literature courses?
Peter Weiss's 1960 novella boasts an imagistic sequence of boardinghouse vignettes that are sometimes humorous, sometimes horrifying.
It's been criticized for being used as a "shortcut," but it can actually offer something essential to its audience.
Breaking news stories focus on the event, but what about the long-term trauma experienced by those who survived? What about the fallout?