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free text l0 to three-to-one, three-to-one today, i hanako montgomery in tokyo and this jensen: it's a time of enormous turmoil. shut up in here. the '60s are over dad. durham: here's michael at the foul line, a shot on ehlo. -good! -yeah! ha-ha! turner: we intend to cover all the news all the time. we won't be signing off until the world ends. isn't that special? any tool for human expression will bring out the best and the worst in us, and television has been that. they don't pay me enough to deal with animals like this. people are no longer embarrassed to admit they watch televisi...

As sort of a new-wave cop show. johnson: yeah, it's a cop show for the '80s. i mean, we use a lot of mtv images and rock music to help describe the mood and feeling of our show. graham: in a lot of ways, you don't get "miami vice" without mtv because in a lot of ways, "miami vice" was a long video. the music was such a big part of that show. [ phil collins' "in the air tonight" plays ] michael mann: there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ and i can feel it coming in the air tonight ♪ not only wa...

Miami vice is that it was not dead. very much, the approach was okay, the call is a television series but we will make one- hour movies every single week. >> they were just describing the show as a new wave of cop show. >> it's a capture for the '80s. we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways, you don't get miami vice without mtv. because in a lot of ways miami vice was a long video. the music was a big part of that show. >> there is an allure to using great music that everybody was listening to, as opposed to the routine k...

Candy. >> television very much was the small screen. what was interesting about tony yerkovich's pilot screenplay for "miami vice" is that it was exactly not that. very much the approach was, okay, they call this a television series, but we're going to make one-hour movies every single week. >> okay, here we go. standby. >> action! >> police, police! >> you were just describing the show as sort of a new-wave cop show. >> yeah, it's a cop show for the '80s. i mean, we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways, you don't get "mi...

>> okay, here we go. standby. >> action! >> police, police! >> you were just describing the show as sort of a new-wave cop show. >> yeah, it's a cop show for the '80s. i mean, we use a lot of mtv images and rock music to help describe the mood and feeling of our show. >> in a lot of ways, you don't get "miami vice" without mtv, because in a lot of ways, "miami vice" was a long video. the music was such a big part of that show. >> there was an allure to using great music that everybody was listening to as opposed to the routine kind of tv scoring of that period. ♪ i can feel it coming in the ...