How Samuel Beckett sought salvation in the midst of suffering
Samuel Beckett’s writing often seems to have a religious air about it. Take his most famous play, Waiting for Godot (1953). Two Chaplinesque tramps – Vladimir and Estragon – wait at a crossroads by a tree for someone who might provide an answer to their prayers: Mr Godot. This is a man who has a suspiciously divine white beard, who ‘does nothing’, and who remains frustratingly absent, despite repeated promises of his imminent arrival. Vladimir and Estragon pass the time by singing, eating radishes, play acting, and arguing. One of their first bits of comic back-and-forth concerns a...