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By Uditha Devapriya Prasanna Vithanage’s Gaadi takes place in the last year of the Kandyan Kingdom. It begins with an encounter between Ehelepola Adigar and John D’Oyly, and moves on to scenes of the two of them negotiating the transfer of power in Kandy and the deposal of the king, Sri Vikrama Rajasinghe. In the […]
By Uditha Devapriya “Their much-awaited economic policy statement turned out to be nothing. The main problem with the NPP is there is no real analysis of the problem nor a cohesive plan of action. Anura Kumara Dissanayake is a Putin-by-day and Biden-by-night. What he says to the business community is not what he tells the […]
By Uditha Devapriya \Although the Colombo Film Society would become Asia’s oldest such group, Colombo lay a world or two away from the rest of Sri Lanka. The urban middle-classes encountered the best of regional and Western cinema before their counterparts in Bombay and Calcutta did, but they remained cut off from a vast multitude […]
By Uditha Devapriya The recent visits of India’s External Affairs Minister and a delegation from the Communist Party of China (CPC) reveal Sri Lanka’s geopolitical complexities, as well as its foreign policy failures. Even if Sri Lanka has not appreciated it enough, its two most powerful neighbours still prioritise us in their scheme of things. […]
By Uditha Devapriya My Lunches with Orson is the title of a collection of interviews that Henry Jaglom, a US avant-garde filmmaker, did with Orson Welles, over a period of two years (1983-1985). It is at once insightful, refreshing, provocative, and compelling, and it shows Welles at his best. At the time, Jaglom was around […]