Review: Ute Lemper Electrifies Her Audience In LILI MARLEEN – FROM WEIMAR TO THERESIENSTADT At 54 Below
In the end, through her sense of drama and the music of Holleander, Spoliansky, Brecht, and yes, even Seger, Ute Lember built a smokey, dimly lit, and incredibly exciting Kabarett room under 54th Street
Source: broadwayworld.com