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When a Soundtrack Becomes Beautifully Contrary to Violence on Screen Tom Jolliffe looks at the effective use of contrarian music in films which show violence… There’s something about a great film soundtrack whether it’s the score or songs (or both). You can have a melancholic drama which will usually be laced with melancholic music. You can have the rousing action adventure with the John Williams barnstorming orchestral number. If you look at cinema with a core of violence, like the action, thriller or horror genres for example, often the music will stick to a formula that ties in with ...

A man wakes up one morning to find himself slowly transforming into a living hybrid of meat and scrap metal; he dreams of being sodomised by a woman with a snakelike, strap-on phallus. Clandestine experiments of sensory depravation and mental torture unleash psychic powers in test subjects, prompting them to explode into showers of black pus or tear the flesh off each other's bodies in a sexual frenzy. Meanwhile, a hysterical cyborg sex-slave runs amok through busy streets whilst electrically charged demi-gods battle for supremacy on the rooftops above. This is cyberpunk, Japanese style: a br...