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A museum show is part storytelling and part conversation. At least, that’s how Emilia Mickevicius sees it. And curating one is a bit like planning a dinner party.  Take, for example, a gallery she recently curated for the San Francisco Museum of Modern Art. Mickevicius began with the work of photographer Chanell Stone, the event’s “honored guest.” Then, she imagined the photographers from history with whom she’d love to see Stone in conversation.

What separates a photojournalist from an activist photographer? Photographer Simon King explains the difference between the two.

The W. Eugene Smith Fund has announced it is now accepting applications for its 44th annual Grant in Humanistic Photography.

Following a national search, Todd Tubutis has been named director of the a href= http://arts.arizona.edu target= _blank Center for Creative Photogr

MINAMATA, Kumamoto Prefecture--A deteriorating cloth artwork depicting a Minamata mercury poisoning victim for a traveling one-man stage performance has been restored and preserved for future generations.