Group think: why art loves a crowd
Group think: why art loves a crowd Viareggio Air Show, 1995 (detail), by Massimo Vitali. Photograph: Courtesy Mazzoleni, London-Torino From flâneurs to rallies, protests to parties, human beings are drawn to congregate. With social gatherings a possibility once again, Olivia Laing considers the crowd in art and literature Sun 23 May 2021 08.00 EDT When I was very lonely in New York, one of the things that most comforted me was to wander up Broadway or along the East River, alone but in the company of thousands of strangers. Anonymised by the multitude, I felt the burden of my sorrow slide of...