Review: We Might as Well Be Dead
10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores
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10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores
10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores
10/06/2022 - Natalia Sinelnikova’s debut feature uses an eerie co-op living community to satirise Western European mores
The springtime extravaganza returns with another sweeping bill of fare. We trawled through the slate so you can savor the gems.
Against the backdrop of war propaganda and anti-Russian agitation in the media, one film at this year’s Berlinale assumed extra significance, We Might as Well Be Dead, by the young, Russian-Jewish director Natalia Sinelnikova.