Sweat Equity
Love bites: Claire Denis’s first “straightforward thriller,” Stars at Noon, is a too-oblique portrait of the exploits of Western colonialists abroad
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Love bites: Claire Denis’s first “straightforward thriller,” Stars at Noon, is a too-oblique portrait of the exploits of Western colonialists abroad
Love in a hopeless place
As her love triangle drama Both Sides of the Blade arrives in UK cinemas, we trace a beginner’s path through the sensual, rapturous films of Claire Denis.
Flying high: the last few days of Cannes contained many of this year’s high points, including Kelly Reichardt’s Showing Up, Albert Serra’s Pacifiction, and David Cronenberg’s Crimes of the Future
Early in “Stars at Noon,” Yank journalist Trish gazes wistfully at a yellowed...