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Destroy Boys singer Alexia Roditis talks songwriting, the group's story, and the upcoming record in this new interview.

The post-hardcore vet on his love of Fender offsets, switching up his playing for new album Distant Populations, and why he named a song after the MXR Phase 90

In a press release, Yates, who co-produced the record, said capturing the emotion of the album was difficult. “Working to figure out what you want from a song and how to capture it is always a huge learning experience,” Yates says. “A live show environment shared with others, I think, is the true essence of the band and music; but when recording an album, you’re given a lot of opportunity. You want to breathe as much imagination into it as possible.” While Blood Orange’s feature adds depth to “ALIEN LOVE CALL,” fans can also expect to hear the songwriter’s melodic vocals fe...

Greta Van Fleet’s guitar rock, the Allman Brothers in Blackberry Smoke’s southern rock, and Queen in The Struts ’70s glam rock. For the members of the Gen Z, Brooklyn-based Superbloom, “classic rock” is music created in the early-to-mid ’90s which means they pay homage not only to the first wave of grunge bands (Nirvana, Mudhoney, Soundgarden) but also the bands that followed in grunge’s wake (Stone Temple Pilots, Bush, Fuel). The raspy vocals with the fuzzy guitars on Superbloom’s recently released debut, Pollen, may sound familiar to those who listened to alternative roc...

Mare of Easttown and hearing Phoebe Bridgers’ Punisher finale “I Know the End” soundtrack a gripping scene. But unlike any other music fan, Rice was actually the star of the scene—in which her character Siobhan, the college-bound daughter of Kate Winslet’s Mare Sheehan, contemplates familial trauma while eating an edible, pounding a bottle of liquor, and trying to reach her girlfriend, who isn’t returning her desperate voicemails. Since the music for the character-driven murder mystery was finalized in post-production, the sync was as big a surprise to Rice as ...