The Pleasures of Shirley Hazzard's Intricate Fictions
Shirley Hazzard, 1984. (Photo by Robert Pearce / Fairfax Media via Getty Images) What wholeness might contemporary literary fiction aspire to? Heavy plotting is outmoded, if not willfully retrograde. Many novelists avoid omniscience, like inept or unwilling gods. Trusty, plausible narrative structures—the picaresque, say, or the bildungsroman—are approached cautiously, as if they might collapse while one is yet inside. Coherence, difficult enough to find in life, seems even scarcer in the fictive imagination. “The vastness of sensation and experience, of history and knowledge, limits u...