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His colleagues spread across the globe. i miss those trains. others? not so much. i get it, it went on and on until it seemed there wasn't an untagged, unmarked, unscrawled-upon bit of wall or window in new york. but for a while, it was a golden time. >> futura 2000: well, the whole point of being here -- >> anthony: yeah. >> futura 2000: was to me what the bronx was about. not just the music and the scene and -- and coming up here to parties with the likes of bam and herc and, you know, everyone of that era. but it's watching trains. it's what we used to call benching. share -- >> anthony: so...

>> anthony: so -- >> futura 2000: and comes all the way back. >> anthony: this was the audience that you had in mind? >> futura 2000: well, i -- i was -- >> anthony: or the audience that mattered? >> futura 2000: i think all of us spoke to each other back then. >> anthony: other artists. >> futura 2000: yeah. you know, i mean, it was just a rush of the event and then the accolades you may or may not receive. certainly not from the public, but from your peers. >> anthony: futura 2000. his style and that of a few of his colleagues spread across the globe. i miss those trains. others? not so much...

Goes all the way to brooklyn and comes all the way back. >> this was the audience that you had in mind? the audience that mattered? >> i think all of us spoke to each other back then. >> other artists? >> it was just the rush of the event and the accolades you'd receive, not from the public but your peers. >> futura 2,000. his style and that of a few of his colleagues spread across the globe. >> i miss those trains. others, not so much. i get it. it went on and on until it seemed there wasn't an unmarked, unscrawled bit of wall in new york. but for a while it was a golden time. >> the whole po...

>> futura 2000: i think all of us spoke to each other back then. >> anthony: other artists. >> futura 2000: yeah. you know, i mean, it was just a rush of the event and then the accolades you may or may not receive. certainly not from the public, but from your peers. >> anthony: futura 2000. his style and that of a few of his colleagues spread across the globe. i miss those trains. others? not so much. i get it, it went on and on until it seemed there wasn't an untagged, unmarked, unscrawled-upon bit of wall or window in new york. but for a while, it was a golden time. >> futura 2000: well, the...

>> futura 2000. his style and that of a few of his colleagues spread across the globe. i miss those trains. others, not so much. i get it. it went on and on until it seemed there wasn't an untagged, unmarked, unscrawled bit of wall in new york. but for a while it was a golden time. >> the whole point of being here was what the bronx was about. not just the music and the scene and coming up here to parties with the likes of van and kirk and everyone in that era. it's watching trains. it's what we called benching. >> you were watching each other's work go by. >> absolutely. >> art lovers. this w...