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'The Voyage of Life: Art, Allegory, and Community Response' Opens at Reynolda House Museum of...


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Thomas Cole, Home in the Woods (1847), oil on canvas, Reynolda House Museum of American Art, Gift of Barbara B. Millhouse
Charles Willson Peale, Mr. and Mrs. Alexander Robinson (1795), oil on canvas, Reynolda House Museum of American art
Edward Hicks, Peaceable Kingdom of the Branch, (1826-30), oil on canvas, Reynolda House Museum of American Art, Gift of Barbara B. Millhouse
Eastman Johnson, The Storyteller of the Camp (Maple Sugar Camp) (1861-66), oil on board, Reynolda House Museum of American Art, Original Purchase Fund from the Mary Reynolds Babcock Foundation, Z. Smith Reynolds Foundation, ARCA, and Anne Cannon Forsyth ....

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"The Voyage of Life: Art, Allegory and Community Response" exhibit at Reynolda House to open to public July 20 | Arts & Theatre


From Lee Krasner’s “Birth” painting to the “Famous Last Words: Death of a Poet” painting by Robert Colescott, the latest exhibit set to open to the public July 20 at Reynolda House Museum of American Art in Winston-Salem covers all stages of life.
“The Voyage of Life: Art, Allegory and Community Response” starts with two river paintings because the exhibit uses the river as a metaphor for the natural ebbing and flowing of life. The introductory section features two paintings — “Mounts Adam and Eve” and “Niagara.”
“Mounts Adam and Eve” is an oil painting on canvas by Jasper Francis Cropsey. It was a gift to Reynolda House Museum of American Art by Barbara B. Millhouse. This painting represents a site near Cropsey’s home in upstate New York. ....

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