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Year in Music 2020


Year in Music 2020
We talk with Kyshona Armstrong, Lilly Hiatt and Becca Mancari, count down the year’s top local albums and much more
Dec 17, 2020 5 AM
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It’s been very easy to feel overwhelmed in 2020, when it seems like the rules get rewritten every day — by a global pandemic, a long-overdue public conversation about systemic racism and more. But faced with an industry and a society undergoing all kinds of turbulence, musicians and business folk across Nashville’s constellation of music scenes responded with ingenuity and compassion. Even though there’s still much work to be done, there’s a great deal to take away from this extraordinary year — and to be proud of. In our Year in Music issue, we get perspective from outstanding musicians Kyshona Armstrong, Lilly Hiatt and Becca Mancari; our critics take stock of the year’s top local albums; we hand the mic to an array of ....

United States , Charley Pride , Lilly Hiatt , Kenny Rogers , Charlie Zaillian , Jesselee Jones , Brandi Carlile , Mickey Guyton , Charlie Daniels , Jan Howard , Jim Williamson , Bucky Baxter , Kent Osborne , Gary Walker , Justin Townes Earle , Brian Brown , Hayley Williams , Keith Blaydes , Shannon Sanders , David Olney , Taylor Swift , Ruston Kelly , Becca Mancari , Eric England , Kyshona Armstrong , Marcusk Dowling ,

Year in Music 2020: Navigating Troubled Waters


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Margo Price at Brooklyn Bowl NashvillePhoto: Lauren Napier
In this year of almost no in-person shows, musicians, venues and fans have done their level best to address both the economic hardship and the numbing boredom by staging streaming concerts. The experience hasn’t been without its growing pains, but several different approaches have developed in the nine months since lockdowns began, and each has shown its merits.
The most intimate, interactive streams have come live and direct from artists’ bedrooms and rehearsal spaces. Viewers interact directly in the chat panels a throwback to chat rooms of the ’90s and tip via Venmo or PayPal. Though sometimes compromised by spotty picture quality and intermittent buffering, these streams give artists a way to workshop new material and maintain a connection with their fans, while audiences get a unique window into where and how the music gets created. Like a pass-the-hat situation at a house show, how ....

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