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Miss Grit: Impostor EP


In her book
Minor Feelings: An Asian American Reckoning, the poet and critic Cathy Park Hong winces thinking about the time she’s logged at insufferable, majority-white poetry readings. You can envision the scene: the pathetic whoops following a routine “How’s everyone doing tonight”; the nauseating
mmms of recognition; the grainy, solemn “poet’s voice” intended to patch over defective writing. But worse than white peoples’ self-seriousness, Hong thinks, is the shameful reality that she still performs for their approval. At the readings, she radiates difference. No matter how hard she strives to meet the craft’s lofty ideals—transcending identity, speaking boldly to the universal—Hong can’t escape her particularities as an Asian woman. ....

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An Impressive Impostor: Miss Grit Interviewed


An Impressive Impostor: Miss Grit Interviewed
There is really no person I should be shooting for to replicate.
Talking over Zoom, you get the sense that
Miss Grit lives and breathes music. Before the interview, she was producing music. Afterwards, she’ll continue to work on music. Formerly a backup guitarist for bands, she is currently a music technology student at NYU. She can make pedals, play cello and write like there’s no tomorrow. Miss Grit embodies every aspect of being an artist – and yet, she’s never felt like she was enough.
Miss Grit’s career was borne out of a desire to prove her negative thoughts wrong. She released the Talk Talk EP in 2019, which quickly garnered press attention, making Miss Grit question her abilities. Enter the Impostor EP, which Miss Grit produced entirely herself so “she couldn’t feel like a fraud.” Eventually, she embraced the possibilities of a solo career: â ....

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