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Didion's Bible: 'No Caveat' EP « RTRFM / The Sound Alternative rtrfm.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rtrfm.com.au Daily Mail and Mail on Sunday newspapers.
Milwaukee's JumpstART ignites a spark in all of us to enrich ourselves in artwork cbs58.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cbs58.com Daily Mail and Mail on Sunday newspapers.
Greg Gossel will paint 9,600-square-foot mural in Schlitz Park this summer. By Jeramey Jannene - Apr 5th, 2021 02:16 pm //end headline wrapper ?> Schlitz Powerhouse mural site. Rendering by RINKA. Artist Greg Gossel will paint a 9,600-square-foot mural, downtown’s largest, in Schlitz Park this summer. The new owners of the business park, Crestlight Capital and TGP Real Estate, announced the selection Monday morning alongside the Milwaukee Downtown business improvement group. The organizations issued a request for proposals in August, offering a $50,000 commission. “The thoughtful and intentional revitalization effort that is occurring at Schlitz Park creates a setting that reinforces community, culture, and collaboration. Schlitz Park ownership understands the value of incorporating public art and the positive and connective effect that art has in the work environment,” said ....
Tim Daisy; Matt Piet at the Hungry Brain pre-COVID Photos by Marek Lazarski and Morgan Ciesielski The COVID-19 pandemic has put tens of millions of Americans out of work, but even considering that bleak landscape, musicians have been hit especially hard most of their jobs only barely exist now, and the infrastructure that might allow them to return someday is in danger of collapsing. Festivals have been canceled, larger concert halls closed, and smaller clubs either shuttered or restricted to fractions of their usual audiences. At least in the States, no one is touring. In Chicago, many of the venues that stage jazz and improvised music have either been streaming pay-what-you-will concerts or sitting dark since March. The disappearance of in-person performance opportunities hurts worse in this context, since the music thrives upon and in f ....