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Barry Gibb Scores First Solo UK No.1 Album With All-Star 'Greenfields'


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“There is no such thing as too much heaven,” Gibb told the OCC. “I couldn’t be more thrilled. The past is unpredictable. Today is unbelievable. The greatest moment of my life! Thank you too all of our fans in the UK and all the folks at EMI. You’ve changed my life.”
Gibb’s release finished the chart week with more than twice the combined units of its nearest rival, UK singer-songwriter Passenger’s
Songs for the Drunk and Broken Hearted, which debuted at No.2. The OCC reports that 83% of the weekly tally for

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Joe Chambers Returns To Blue Note With Samba de Maracatu Album


Mode for Joe, Sam Rivers’
Contours, Andrew Hill’s
Fancy Free, and many more.
The label’s owners – Alfred Lion and Francis Wolff – offered Chambers a chance to record his own album for the imprint during that fertile period, but he was riding so high on recording and touring with so many jazz greats that he declined the opportunity. Chambers eventually did release his own Blue Note debut Mirrors in 1998 featuring trumpeter Eddie Henderson, saxophonist Vincent Herring, pianist Mulgrew Miller and bassist Ira Coleman.
On
Samba de Maracatu, Chambers asserts himself more as a mallet player, particularly on the vibraphone. Throughout the album, he uses the vibraphone as the lead melodic and improvisational voice that often converses with Merritt’s piano accompaniments and solos. While

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