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Review: A Black commune weighs the past, present and future in 'The Inheritance'

Review: A Black commune weighs the past, present and future in The Inheritance
Sarah-Tai Black
© Provided by The LA Times
Chris Jarrell, from left, Nozipho Mclean and Eric Lockley in the movie The Inheritance. (Grasshopper Film)
What might a collectively authored Black future look like? For creative polymath Ephraim Asili, it is one that knows its past as well as its present.
With his feature-length debut film The Inheritance, the West Philadelphia-raised, New York-based filmmaker presents a reflectively avant-garde portrait of the connective threads between community making, historical archives and political awakening. Shaping an easy bricolage of what Asili refers to as a “speculative reenactment” of his time spent living in a Black radical collective, the Black Arts Movement, and the MOVE Black liberation group, The Inheritance resists convention in its easeful movements between documentary, fictive narrative and cultural arc ....

United States , Los Angeles , Julian Eric Lockley , Julian Rozzell Jr , Shirley Chisholm , Chris Jarell , Ephraim Asili , Eric Lockley , Chris Jarrell , Michael Africa , Gwen Nozipho Mclean , Sonia Sanchez , Nozipho Mclean , Los Angeles Times , Arts Movement , Grasshopper Film , West Philadelphia Raised , New York Based , Black Arts Movement , West Philadelphia , Julian Rozzell , Nguni Bantu , ஒன்றுபட்டது மாநிலங்களில் , லாஸ் ஏஞ்சல்ஸ் , ஷெர்லி சிஷோல்ம் , கிறிஸ் ஜாரெல் ,

The Inheritance movie review & film summary (2021)

For the most part, an “inheritance” left to you by an older relative or loved one is considered a personalized, even intimate, gift. An heirloom, perhaps, or a collection of items, or maybe even a certain amount of money, or a home some sort of one-to-one relationship between the person doing the giving, and the person doing the receiving. And Ephraim Asili’s feature-length debut film “The Inheritance” begins with that setup: a young man inherits a West Philadelphia rowhome left to him by his grandmother. But “The Inheritance” deliberately and thought-provokingly shifts from that singular definition of “inheritance” to a broader, more inclusive one that speaks to generational struggle, collective sacrifice, and the Black American experience. Asili experiments with cinematic form as he considers “inheritance” as legacy, heritage, and tradition, resulting in an engrossing, challenging film that allures and confronts you in equal measure. ....

New York , United States , France General , Stephanie Aniya Picou , Julian Rozzell Jr , Ursula Rucker , Angela Davis , Calvin Hernton , Max Roach , Jean Luc Godard , Chris Jarrell , Gwen Nozipho Mclean , Ruby Dee , Alice Walker , Margaret Walker , Julian Eric Lockley , Janet Aurielle Akerele , Charles Mingus , Stokely Carmichael , Nikki Giovanni , Andrei Tarkovsky , James Baldwin , Sonia Sanchez , Diaspora Suite , Ocean City , Eric Lockley ,

When Black Power meets the French New Wave in (where else) Philadelphia

Ephraim Asili’s film about a group of Black activists living in a communal household is a cinematic throwback and a radical stand in the present with an eye to the future. It’s agitprop with a sense of humor, purpose, and history, and it is invigorating. ....

France General , Julian Eric Lockley , Julian Rozzell Jr , Shirley Chisholm , Ursula Rucker , Eric Lockley , Chris Jarrell , Gwen Nozipho Mclean , Sonia Sanchez , Nozipho Mclean , West Philadelphia , Julian Rozzell , Black Power , Old Head , பிரான்ஸ் ஜநரல் , ஷெர்லி சிஷோல்ம் , உர்சூல ரக்கர் , கிறிஸ் ஜர்ரெல்ல் , சோனியா சான்செஸ் , மேற்கு பிலடெல்பியா , கருப்பு பவர் , பழையது தலை ,