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How Photographers Responded to the Arab Spring


How Photographers Responded to the Arab Spring
Ten years after protests ignited across North Africa and the Middle East, how can artists give meaning to revolution?
Samar Al Summary,
Hrair Sarkissian traced the flight path of a migratory bird and found it looked exactly like a noose. He constructed a small model of the building where he spent most of his life in Damascus, then, over seven hours, bashed it to bits with a sledgehammer, pausing after every strike to take a picture. Maha Maamoun used literary fiction, cinematic history, and a cache of YouTube videos documenting the nighttime break-ins at state security buildings in Cairo (and elsewhere in Egypt) to convey the weird inner fantasies let loose by periods of political unrest. She made works based on the stories of a man haunted by visions and a drug dealer who turned into an animal hybrid of zebra and goat. Samar Al Summary scoured Beirut for signs of survival and resistance at a time of imminent economic col ....

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Catherine Edelman Gallery closes with a 'Place in the Sun'


Raised in the suburbs of Washington, D.C., scott b. davis first became interested in photography in the early 90s when he was compelled to document the wilderness. Looking for places that led him off of the map and into spaces unexplored, he began to dive deep into history. By the mid-90s, davis was working with 19th-century photographic processes and formulas like platinum and palladium printing with large format cameras. The artist, looking for ways to be more physically involved in photography, decided to pick up this practice in order to fail more and try new things with his practice. This led him to discover ways in which he could render new landscapes. ....

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